The clocktower of Blackthorn Hall stood as it

had for centuries, its iron hands frozen at

midnight. Thomas Wren had not set foot in the

estate since the night he fled, tail between his

legs, after being accused of embezzlement and

treason. The scandal had ruined him, his name

erased from society’s ledgers, his title

stripped by Parliament. Now, with no family left

and no fortune, he returned not as a lord but as

a ghost.

The village of Blackthorn had changed little.

Cobblestones still cracked underfoot, and the

scent of damp wool and coal smoke clung to the

air. But the people avoided his gaze. Whispers

followed him through the streets—of a curse, of

blood on the walls, of a beast that prowled the

woods beyond the moor. He dismissed them as

superstition, until the first howl split the

night.

Thomas found the body in the east wing, slumped

against the grand piano where his mother once

played. The corpse was that of Sir Edmund Harrow,

the man who had framed him. A knife protruded

from his chest, its hilt carved with the sigil

of the Wren family. The room reeked of iron and

decay.

The villagers claimed the werewolf had taken him.

Thomas scoffed, but the next night, the creature

came for him. It did not break down the door; it

simply appeared, a mass of sinew and teeth, its

eyes glowing like coals. He barely escaped, his

ribs screaming, his boots soaked in mud as he

ran into the moor.

He stumbled upon the old chapel, halfburied in

brambles. Inside, a faded tapestry depicted a

wolfheaded figure standing beside a crowned man.

The inscription read: “When the moon bleeds, the

oath is broken.” Thomas remembered the pact his

father had made with the beast—a secret

agreement to protect the Wren line in exchange

for blood. His father had failed. His brother

had failed. Now, it was his turn.

The villagers would not let him stay. They

blamed him for the killings, for the curse. When

he tried to explain, they threw stones. One

struck him in the temple, and he fell,

unconscious, into the river.

He woke days later in the ruins of the chapel,

the wolf standing over him. This time, it did

not attack. Instead, it placed a clawed hand on

his chest, pressing hard. Pain lanced through

him, and he saw visions—his father signing the

pact, his brother’s betrayal, the night his wife

died, her blood staining the floorboards. The

wolf was not a monster. It was a judge.

Thomas knew what he had to do. He returned to

the hall, climbed the clocktower, and stood

beneath the frozen hands. With a single motion,

he pulled the chain that controlled the

mechanism. The hands moved. The clock struck

once. Then twice. Then twelve.

The sky turned red. The moor roared with the

sound of howls. And when the final chime rang

out, the wolf vanished, its form dissolving into

mist. The clocktower crumbled behind him, stone

and iron collapsing into the earth.

Thomas Wren walked away, a free man, but forever

marked. The villagers called him mad. The

newspapers called him a murderer. But in the

silence of the moor, the wolf’s voice echoed in

his mind: “The oath is broken. The blood is paid.